The late 19th and early 20th centuries have been called the golden age of Spanish piano music — a rebirth of fervent nationalism that ushered in a true keyboard renaissance. Brought to national awareness by the four most important composers of their generation — Isaac Albéniz, Enrique Granados, Manuel de Falla, and Joaquin Turina — this new wave of music explored everything Spanish: the magnetic rhythms of Spanish dance, the dark lyricism of Spanish song, the Iberian countryside, the landscape, and the sights and sounds of everyday life. Albéniz sketched picturesque vistas of S... Read More
Format: Paperback
The late 19th and early 20th centuries have been called the golden age of Spanish piano music — a rebirth of fervent nationalism that ushered in a true keyboard renaissance. Brought to national awareness by the four most important composers of their generation — Isaac Albéniz, Enrique Granados, Manuel de Falla, and Joaquin Turina — this new wave of music explored everything Spanish: the magnetic rhythms of Spanish dance, the dark lyricism of Spanish song, the Iberian countryside, the landscape, and the sights and sounds of everyday life. Albéniz sketched picturesque vistas of S... Read More
Description
The late 19th and early 20th centuries have been called the golden age of Spanish piano music — a rebirth of fervent nationalism that ushered in a true keyboard renaissance. Brought to national awareness by the four most important composers of their generation — Isaac Albéniz, Enrique Granados, Manuel de Falla, and Joaquin Turina — this new wave of music explored everything Spanish: the magnetic rhythms of Spanish dance, the dark lyricism of Spanish song, the Iberian countryside, the landscape, and the sights and sounds of everyday life. Albéniz sketched picturesque vistas of Spanish scenes and landscapes in works called "Malagueña," "Asturias," and "Córdoba." In Goyescas, Granados transformed Francisco Goya's artwork into a world of voluptuous sound, confessing that "I fell in love with Goya's palette . . . with his lady maja." Falla painted the Spanish landscape in "Aragonesa" and "Andaluza" and brought new life to Spanish dance theater with his ballet El amor brujo — featuring the world-famous "Ritual fire dance" — and with the brilliant farrucas, fandangos, and seguidillas of his ballet El sombrero de tres picos. And Turina added new luster to Spanish nationalism with music steeped in the cante hondo ("deep song") of his native Andalusia. Dover's outstanding new collection brings together 24 works by these Spanish masters, introduced by Antonio Soler's hypnotic: "Fandango," considered one of the most celebrated keyboard works of the 18th century. The technical range of the pieces in this exceptional volume makes this collection of special interest to a broad range of pianists, intermediate to advanced.
Reprint of works from authoritative editions.
Details
Price: $19.95
Pages: 176
Publisher: Dover Publications
Imprint: Dover Publications
Series: Dover Classical Piano Music
Publication Date: 19th June 2012
Trim Size: 9 x 12 in
ISBN: 9780486296173
Format: Paperback
BISACs: MUSIC / Genres & Styles / Classical MUSIC / Printed Music / Piano & Keyboard Repertoire
Table of Contents
Antonio Soler (1729–1783): Fandango Isaac Albéniz (1860–1909) Malagueña (No. 3 from España [Spain], Op. 165/1890) Cantos de España • Spanish airs (Op. 232/1896) 1. Preludio: Leyenda (Asturias) • Prelude: Legend 2. Oriental • Orientale 3. Bajo la palmera • Under the palm tree 4. Córdoba 5. Seguidillas Enrique Granados (1867–1916) Goyescas (excerpts) • Reflections on Goya's paintings and tapestries (1911) Quejas ó la maja y el ruise–or • Laments, or the maja and the nightingale El amor y la muerte: Balada • Love and death: Ballade Manuel de Falla (1876–1946) Pièces espagnoles • Spanish pieces (1902–8) 1. Aragonesa 2. Cubana 3. Montañesa (Paysage) • (Landscape) 4. Andaluza El amor brujo (excerpts) • Love, the sorcerer (Ballet, 1914-15) (Piano arrangements of the orchestral score) Pantomime Ritual fire dance El sombrero de tres picos (excerpts) • The three-cornered hat (Ballet, 1919) (Piano arrangements of the orchestral score) The miller's dance (Farruca) Dance of the miller's wife (Fandango) Dance of the neighbors (Seguidillas) Joaquín Turina (1882–1949) Danzas andaluzas • Andalusian dances (Op. 8/1912) 1. Petenera 2. Tango 3. Zapateado Mujeres españolas • Spanish women (Three portraits for piano, Op. 17/1917) 1. La madrileña clásica • The classic woman of Madrid 2. La andaluza sentimental • The sentimental woman of Andalusia (Monologue) 3. La morena coqueta • The flirtatious brunette (Scene)
The late 19th and early 20th centuries have been called the golden age of Spanish piano music — a rebirth of fervent nationalism that ushered in a true keyboard renaissance. Brought to national awareness by the four most important composers of their generation — Isaac Albéniz, Enrique Granados, Manuel de Falla, and Joaquin Turina — this new wave of music explored everything Spanish: the magnetic rhythms of Spanish dance, the dark lyricism of Spanish song, the Iberian countryside, the landscape, and the sights and sounds of everyday life. Albéniz sketched picturesque vistas of Spanish scenes and landscapes in works called "Malagueña," "Asturias," and "Córdoba." In Goyescas, Granados transformed Francisco Goya's artwork into a world of voluptuous sound, confessing that "I fell in love with Goya's palette . . . with his lady maja." Falla painted the Spanish landscape in "Aragonesa" and "Andaluza" and brought new life to Spanish dance theater with his ballet El amor brujo — featuring the world-famous "Ritual fire dance" — and with the brilliant farrucas, fandangos, and seguidillas of his ballet El sombrero de tres picos. And Turina added new luster to Spanish nationalism with music steeped in the cante hondo ("deep song") of his native Andalusia. Dover's outstanding new collection brings together 24 works by these Spanish masters, introduced by Antonio Soler's hypnotic: "Fandango," considered one of the most celebrated keyboard works of the 18th century. The technical range of the pieces in this exceptional volume makes this collection of special interest to a broad range of pianists, intermediate to advanced.
Reprint of works from authoritative editions.
Price: $19.95
Pages: 176
Publisher: Dover Publications
Imprint: Dover Publications
Series: Dover Classical Piano Music
Publication Date: 19th June 2012
Trim Size: 9 x 12 in
ISBN: 9780486296173
Format: Paperback
BISACs: MUSIC / Genres & Styles / Classical MUSIC / Printed Music / Piano & Keyboard Repertoire
Antonio Soler (1729–1783): Fandango Isaac Albéniz (1860–1909) Malagueña (No. 3 from España [Spain], Op. 165/1890) Cantos de España • Spanish airs (Op. 232/1896) 1. Preludio: Leyenda (Asturias) • Prelude: Legend 2. Oriental • Orientale 3. Bajo la palmera • Under the palm tree 4. Córdoba 5. Seguidillas Enrique Granados (1867–1916) Goyescas (excerpts) • Reflections on Goya's paintings and tapestries (1911) Quejas ó la maja y el ruise–or • Laments, or the maja and the nightingale El amor y la muerte: Balada • Love and death: Ballade Manuel de Falla (1876–1946) Pièces espagnoles • Spanish pieces (1902–8) 1. Aragonesa 2. Cubana 3. Montañesa (Paysage) • (Landscape) 4. Andaluza El amor brujo (excerpts) • Love, the sorcerer (Ballet, 1914-15) (Piano arrangements of the orchestral score) Pantomime Ritual fire dance El sombrero de tres picos (excerpts) • The three-cornered hat (Ballet, 1919) (Piano arrangements of the orchestral score) The miller's dance (Farruca) Dance of the miller's wife (Fandango) Dance of the neighbors (Seguidillas) Joaquín Turina (1882–1949) Danzas andaluzas • Andalusian dances (Op. 8/1912) 1. Petenera 2. Tango 3. Zapateado Mujeres españolas • Spanish women (Three portraits for piano, Op. 17/1917) 1. La madrileña clásica • The classic woman of Madrid 2. La andaluza sentimental • The sentimental woman of Andalusia (Monologue) 3. La morena coqueta • The flirtatious brunette (Scene)