The period of Tudor rule in England (1485-1603) marked the appearance of an unprecedented opulence in fashions worn by royalty and members of the nobility, with social rank often reflected in attire. This monumental study by a brilliant and imaginative scholar examines that colorful period in fashion history, from the reign of Henry VII through that of Elizabeth I. Because continental fashions heavily influenced clothing styles of the English nobility, the text includes brief introductory reviews of garments worn in France, Italy, Spain, and Germany. Each chapter focuses on costumes o... Read More
The period of Tudor rule in England (1485-1603) marked the appearance of an unprecedented opulence in fashions worn by royalty and members of the nobility, with social rank often reflected in attire. This monumental study by a brilliant and imaginative scholar examines that colorful period in fashion history, from the reign of Henry VII through that of Elizabeth I. Because continental fashions heavily influenced clothing styles of the English nobility, the text includes brief introductory reviews of garments worn in France, Italy, Spain, and Germany. Each chapter focuses on costumes o... Read More
Description
The period of Tudor rule in England (1485-1603) marked the appearance of an unprecedented opulence in fashions worn by royalty and members of the nobility, with social rank often reflected in attire. This monumental study by a brilliant and imaginative scholar examines that colorful period in fashion history, from the reign of Henry VII through that of Elizabeth I. Because continental fashions heavily influenced clothing styles of the English nobility, the text includes brief introductory reviews of garments worn in France, Italy, Spain, and Germany. Each chapter focuses on costumes of a particular period, meticulously delineating not only the elegance of court dress but also describing the quotidian garments of the middle and lower classes — from tradespeople and common sailors to the peasantry and even court jesters. In addition to investigating an extraordinarily wide range of fashionable garb, the author meticulously describes elaborate headgear, hairstyles, jewelry, collars, footwear, and other wardrobe accessories. Composed of two books bound as one, this carefully researched and profusely illustrated volume includes 1,000 black-and-white figures (including diagrams showing the construction of various garments and head coverings), 24 halftones, and 22 full-color plates, nearly all taken from contemporary sources, which enliven this authoritative and exhaustive study of period clothing, an indispensable resource for fashion designers and historians and a dazzling pageant of living history for the general reader.
Fashion and costume historian Herbert Norris assembled rich, visually expressive books that skillfully depict not only the splendid attire of the grandees of church and state but also the everyday dress of common men and women. His other Dover titles include Tudor Costume and Fashion, Medieval Costume and Fashion, and Nineteenth-Century Costume and Fashion.
Table of Contents
FOREWORD AUTHORITIES QUOTED CHAPTER I HENRY VII (1485-1509) SYNOPSIS. Contemporary Sovereigns Historical Data "The Arts: Sculpture, Memorial Brasses, Tapestry, Illum. MSS., Portraits and Painters" Section I "Introduction, Royalty and Nobility, Men: Henry VII" "Nobility, Men" "Flemish, English, and French Fashions" "French Fashions, Charles VIII" "Italian Influences, Bases" "Louis XII, The Emperor Maximilian, Archduke Philippe le Beau, Ferdinand V of Aragon" Tenyse' Perfumes and Pomanders "Embroidery, Spanish Work, Cutwork, The Origin of Stumpwork" The Yeomen of the Guard "Royalty and Nobility, Women: Elysabeth of York, The Lady Margaret Beaufort" "Nobility, Women, English, Flemish, and French" "Spanish styles: Isabella of Castile, Joanna, Katherine of Aragon" "The Lady Margaret Tudor, Marguerite, Archduchess of Austria, Anne, Duchess of Brittany" Underclothes Section II "Middle and Lower Classes: Introduction, Professional, Gentry, Merchants, Lower Classes" "Middle-class Women: Gentry, Merchants' Wives" Lower Classes Section III "Hairdressing, Men: Middle and Lower Classes" "Headgear, The French Bonet" Headdresses Hairdressing The Gable Headdress Hairdressing Flemish Headdresses Spanish-Italian Headdresses French Headdresses "Flemish, The Béguin" Footgear "Jewellery: Crowns, Collars, Neckchains, Jewels, Enseignes, Brooches, Enamels, Pendants, Bracelets, Rings" Guilds and Trade Weaving and Materials List of Materials Patterns Colours "Vehicles: Introduction, The Litter, The Carriage" CHAPTER II HENRY VIII (1509-47) SYNOPSIS. Contemporary Sovereigns Historical Data "The Arts: Sculpture, Memorial Brasses, Tapestry, Illum. MSS., Portraits and Painters" Section I "Royalty and Nobility, Men: Henry VIII" Some Officers of a Royal Household "Italian Influences, Bases" Landsknechten "James IV, Charles Brandon, Thomas Wolsey, the Emperor Charles V, The Field of the Cloth of Gold, Henry VIII, Francis I" "French Fashions, Francis I" "Tenyse'. Royalty and Nobility, Women: Katherine of Aragon" The Spanish Farthingale The Lady Margaret Tudor "Spanish Styles: Eleanor, Archduchess of Austria, The Lady Mary Tudor I, The Field of the Cloth of Gold, The Lady Mary Tudor II" French Fashions: The Princess Claude of France The Corset The Fan Underclothes "Embroidery, Spanish Work, Stumpwork, Interlaced Work, Turkey Work" Lace Section II "Royalty and Nobility, Men: Henry VIII" "French Fashions: Francis I, Francois Rabelais, The Emperor Charles V, James V" The Glove The Handkerchief "Nightshirts, Nightcaps, and Nightgowns. Royalty and Nobility, Women: Katherine, Anne Boleyn, Elizabeth Tudor, Jane Seymour, The Lady Mary Tudor II" Perfumes and Pomanders "French Fashions: Eleanor Archduchess of Austria, Anne de Heilly, Diane de Poitiers, Catherine dé Medici, Brantôme, The Lady anne of Cleves, Catherine Howard, Catherine Parr, The Ladies Mary and Elizabeth" The Yeomen of the Guard Gentlemen Pensioners Section III "Middle Classes: Professional, Gentry, Countrymen" Middle Classes: Women Lower Classes: Women Section IV Hairdressing Headgear "Headdresses: The Gable Headdress, The Béguin, French Version of the Béguin" Spanish Reticulated Caul "French Headdresses, The French Hood, The Bag-back Hood" "Fancy Headdresses, Middle Classes" Footgear "Jewellery: Crowns and Coronets, Collars, Chains, Carcanets, Enseignes and Bonet Ornaments, Girdles, Finger Rings, Pendants and Jewels" Clocks Guilds and Trade Weaving and Materials List of Materials Patterns Colours "Vehicles: Chariot, Charrette, Char, Litter" Horses CHAPTER III EDWARD VI (1547-53); QUEEN MARY (1553-8) SYNOPSIS. Contemporary Sovereigns Historical Data "The Arts: Sculpture, Memorial Brasses, Tapestry, Portraits and Painters" Section I "Royalty and Nobility, Men: Edward VI" "French Fashions: Henry II, The Emperor Charles V" "Spanish Styles: Maximilian, Philip of Spain" "Nobility, Men: Edward Courtenay" Embroidery Lace The Yeomen of the Guard Gentlemen Pensioners Middle Classes "The Boys of Christ's Hospital. Royalty and Nobility, Women: The Lady Jane Grey" "Spanish Styles, The Lady Mary" "French Fashions: Eleanor, Archduchess of Austria, Catherine de' Medici, Mary Stuart, Queen Mary, Jane Guyldeford" Section II Hairdressing Headgear "Hairdressing, Women" "Headdresses: The French Hood, Other French Headdresses" Footgear "Jewellery: Collars, Pendants, Rings" Guilds and Trade "Weaving, Colours" Patterns "Vehicles: Coach, Char" CHAPTER IV QUEEN ELIZABETH (1558-1603) SYNOPSIS. Contemporary Sovereigns Historical Data "The Arts: Sulpture, Memorial Brasses, Tapestry, Illum. MSS., Portraits and Painters" Section I "Queen Elizabeth: Introduction, Appearance, Character, Accomplishments, Wardrobe, State Robes, Other Costumes, Furniture. Nobility, Women: The Farthingale, The Corset, The Ruff or Band, The Veil, The Fan" "Margaret Douglas, Mary Stuart" "The Baldachin, Sunshade, Umbrella" Mourning Robes Frances Sidney Masks "Nobility, Men: Henry Stewart, Lord Edward Seymour, James VI" "Personages of Distinction about the Court: William Cecil, Robert Dudley, Sir Christopher Hatton, Edward de Vere, Sir Philip Sidney, Sir John Hawkyns" "The Doublet, The Jerkin, Corsets" "Trunks or Slps, and Hosen" Stockings Cloaks Swords and Daggers The Handkerchief The Glove "Perfumes, Pomanders, and Roses" "French Fashions: Charles IX, Henry, Duc d'Anjou, Francis, Duc d'Alenço "Noble Ladies: Louise, Queen-Consort of Henry III, Marguerite de Valois,Marie de' Medici" Italian Influences Italian Ladies "Spanish Styles: Philip II, Philip III" "Noble Ladies: The Great Infanta, Margaret of Austria" Tenyse' The Yeomen of the Guard Gentlemen Pensioners Section III "Middle Classes: Gentry, Merchants and Burghers" London Apprentices Yeomen Lower Classes: Peasants and the Poor Middle-class Women: Gentlewomen Lower Classes A Tudor Country Wedding Procession Section IV "Hairdressing, Men: French Hairdressing, Italian Hairdressing, Spanish Hairdressing" "Headgear: Hats, Caps, Etiquette connected with Headgear" "Hairdressing, Women: Fancy Hairdressing, French Hairdressing, Italian Hairdressing, Spanish Hairdressing" "Headdresses: The French Hood, Hats, Other Headdresses of Mary Stuart, Cauls and Capes, Head Ornaments, French Headdresses, Widows' Weeds, Italian Headdresses, Spanish Headdresses" Middle Classes Footgear Jewellery: Crowns, Collars, Chains, Carcanets, Necklaces, Pendants, Jewels, Miniatures, Jewels of Queen Elizabeth, Hat and Head Ornaments, Girdles, Bracelets, Earrings, Ruff and Sleeve Ornaments, Aiglettes, Finger Rings, French Jewellery, Jewels of Mary Stuart Clocks Watches Guilds and Trade Weaving and Materials List of Materials Patterns List of Colours "Vehicles: The Litter, Coach, Chair" GENERAL INDEX TO BOOKS I AND II INDEX OF NAMES IN BOOKS I AND II ILLUSTRATIONS IN COLOUR AND HALF-TONE BOOK I I. KING HENRY VII AND QUEEN ELYSABETH II A. "ISABELLA, QUEEN OF CASTILE" II B. "FERDINAND V, KING OF ARAGON" III. "YEOMEN OF THE GUARD, 1501-30 AND 1530-50" IV. QUEEN ELYSABETH OF YORK V. "JOANNA, QUEEN OF CASTILE" VI. "AN ENGLISH NOBLEMAN, 1510" VII. "A LANDSKNECHT; FRANCIS I, KING OF FRANCE" VIII A. "CHARLES, COMTE DE FLANDRES, 1506" VIII B. "CHARLES, V, KING OF THE ROMANS 1526" IX. "KING HENRY VIII AT THE FIELD OF THE CLOTH OF GOLD, 1520" X A. "THE PRINCESS KATHERINE OF ARAGON, 1501" X B. "KING HENRY VIII, 1521" XI. "ELEANOR OF AUSTRIA, QUEEN OF PORTUGAL, c. 1518" XII. "THE PRINCESS MARY TUDOR, 1514" XIII. "KING HENRY VIII, 1542" XIV. "FRANCIS I, KING OF FRANCE" XV. "QUEEN JANE SEYOMOUR, 1536" XVI. "A NOBLE LADY OF THE COURT OF HENRY VIII, 1530-40" XVII. "A NOBLE LADY, 1540-50" XVIII. ARTICLES OF JEWELLERY BOOK II XIX KING EDWARD VI XX. KING EDWARD VI XXI. "HENRY II, KING OF FRANCE, 1558" XXII. "PRINCE PHILIP OF SPAIN, 1554" XXIII. "YEOMEN OF THE GUARD, 1550-75 and 1575-95" XXIV. "THE LADY JANE GREY, 1553" XXV. "QUEEN MARY, 1553" XXVI. "QUEEN MARY, 1554" XXVII. "QUEEN ELIZABETH IN CORONATION ROBES, 1559" XXVIII. "QUEEN ELIZABETH WITH GODDESSES, 1560" XXIX. "QUEEN ELIZABETH, 1560-70" XXX. "QUEEN ELIZBETH, 1570" XXXI. "QUEEN ELIZABETH, 1570-75: FOUR SUBJECTS" XXXII. "QUEEN ELIZABETH, 1578-85: FOUR SUBJECTS" XXXIII. "MARY STUART, QUEEN OF SCOTLAND AND FRANCE, 1560-1" XXXIV. "MARY STUART, QUEEN OF SCOTLAND, 1562" XXXV. "CATHERINE DÉ MEDICI AND HER FAMILY, 1561" XXXVI. "CHARLES IX, KING OF FRANCE, 1561" XXXVII. "QUEEN ELIZABETH, 1587" XXXVIII. "QUEEN ELIZABETH, 1588" XXXIX. "QUEEN ELIZABETH, 1588" XL. "QUEEN ELIZABETH, 1589" XLI. "QUEEN ELIZABETH, 1589-94: FOUR SUBJECTS" XLII. "QUEEN ELIZABETH, 1590" XLIII. "QUEEN ELIZABETH IN PARLIAMENT, 1601" XLIV. "MARY FITTON, AGED 17, 1596" XLV. "QUEEN ELIZABETH AT BLACKFRIARS, 1600" XLVI. "PHILIP II, KING OF SPAIN, c. 1580"
The period of Tudor rule in England (1485-1603) marked the appearance of an unprecedented opulence in fashions worn by royalty and members of the nobility, with social rank often reflected in attire. This monumental study by a brilliant and imaginative scholar examines that colorful period in fashion history, from the reign of Henry VII through that of Elizabeth I. Because continental fashions heavily influenced clothing styles of the English nobility, the text includes brief introductory reviews of garments worn in France, Italy, Spain, and Germany. Each chapter focuses on costumes of a particular period, meticulously delineating not only the elegance of court dress but also describing the quotidian garments of the middle and lower classes — from tradespeople and common sailors to the peasantry and even court jesters. In addition to investigating an extraordinarily wide range of fashionable garb, the author meticulously describes elaborate headgear, hairstyles, jewelry, collars, footwear, and other wardrobe accessories. Composed of two books bound as one, this carefully researched and profusely illustrated volume includes 1,000 black-and-white figures (including diagrams showing the construction of various garments and head coverings), 24 halftones, and 22 full-color plates, nearly all taken from contemporary sources, which enliven this authoritative and exhaustive study of period clothing, an indispensable resource for fashion designers and historians and a dazzling pageant of living history for the general reader.
Fashion and costume historian Herbert Norris assembled rich, visually expressive books that skillfully depict not only the splendid attire of the grandees of church and state but also the everyday dress of common men and women. His other Dover titles include Tudor Costume and Fashion, Medieval Costume and Fashion, and Nineteenth-Century Costume and Fashion.
FOREWORD AUTHORITIES QUOTED CHAPTER I HENRY VII (1485-1509) SYNOPSIS. Contemporary Sovereigns Historical Data "The Arts: Sculpture, Memorial Brasses, Tapestry, Illum. MSS., Portraits and Painters" Section I "Introduction, Royalty and Nobility, Men: Henry VII" "Nobility, Men" "Flemish, English, and French Fashions" "French Fashions, Charles VIII" "Italian Influences, Bases" "Louis XII, The Emperor Maximilian, Archduke Philippe le Beau, Ferdinand V of Aragon" Tenyse' Perfumes and Pomanders "Embroidery, Spanish Work, Cutwork, The Origin of Stumpwork" The Yeomen of the Guard "Royalty and Nobility, Women: Elysabeth of York, The Lady Margaret Beaufort" "Nobility, Women, English, Flemish, and French" "Spanish styles: Isabella of Castile, Joanna, Katherine of Aragon" "The Lady Margaret Tudor, Marguerite, Archduchess of Austria, Anne, Duchess of Brittany" Underclothes Section II "Middle and Lower Classes: Introduction, Professional, Gentry, Merchants, Lower Classes" "Middle-class Women: Gentry, Merchants' Wives" Lower Classes Section III "Hairdressing, Men: Middle and Lower Classes" "Headgear, The French Bonet" Headdresses Hairdressing The Gable Headdress Hairdressing Flemish Headdresses Spanish-Italian Headdresses French Headdresses "Flemish, The Béguin" Footgear "Jewellery: Crowns, Collars, Neckchains, Jewels, Enseignes, Brooches, Enamels, Pendants, Bracelets, Rings" Guilds and Trade Weaving and Materials List of Materials Patterns Colours "Vehicles: Introduction, The Litter, The Carriage" CHAPTER II HENRY VIII (1509-47) SYNOPSIS. Contemporary Sovereigns Historical Data "The Arts: Sculpture, Memorial Brasses, Tapestry, Illum. MSS., Portraits and Painters" Section I "Royalty and Nobility, Men: Henry VIII" Some Officers of a Royal Household "Italian Influences, Bases" Landsknechten "James IV, Charles Brandon, Thomas Wolsey, the Emperor Charles V, The Field of the Cloth of Gold, Henry VIII, Francis I" "French Fashions, Francis I" "Tenyse'. Royalty and Nobility, Women: Katherine of Aragon" The Spanish Farthingale The Lady Margaret Tudor "Spanish Styles: Eleanor, Archduchess of Austria, The Lady Mary Tudor I, The Field of the Cloth of Gold, The Lady Mary Tudor II" French Fashions: The Princess Claude of France The Corset The Fan Underclothes "Embroidery, Spanish Work, Stumpwork, Interlaced Work, Turkey Work" Lace Section II "Royalty and Nobility, Men: Henry VIII" "French Fashions: Francis I, Francois Rabelais, The Emperor Charles V, James V" The Glove The Handkerchief "Nightshirts, Nightcaps, and Nightgowns. Royalty and Nobility, Women: Katherine, Anne Boleyn, Elizabeth Tudor, Jane Seymour, The Lady Mary Tudor II" Perfumes and Pomanders "French Fashions: Eleanor Archduchess of Austria, Anne de Heilly, Diane de Poitiers, Catherine dé Medici, Brantôme, The Lady anne of Cleves, Catherine Howard, Catherine Parr, The Ladies Mary and Elizabeth" The Yeomen of the Guard Gentlemen Pensioners Section III "Middle Classes: Professional, Gentry, Countrymen" Middle Classes: Women Lower Classes: Women Section IV Hairdressing Headgear "Headdresses: The Gable Headdress, The Béguin, French Version of the Béguin" Spanish Reticulated Caul "French Headdresses, The French Hood, The Bag-back Hood" "Fancy Headdresses, Middle Classes" Footgear "Jewellery: Crowns and Coronets, Collars, Chains, Carcanets, Enseignes and Bonet Ornaments, Girdles, Finger Rings, Pendants and Jewels" Clocks Guilds and Trade Weaving and Materials List of Materials Patterns Colours "Vehicles: Chariot, Charrette, Char, Litter" Horses CHAPTER III EDWARD VI (1547-53); QUEEN MARY (1553-8) SYNOPSIS. Contemporary Sovereigns Historical Data "The Arts: Sculpture, Memorial Brasses, Tapestry, Portraits and Painters" Section I "Royalty and Nobility, Men: Edward VI" "French Fashions: Henry II, The Emperor Charles V" "Spanish Styles: Maximilian, Philip of Spain" "Nobility, Men: Edward Courtenay" Embroidery Lace The Yeomen of the Guard Gentlemen Pensioners Middle Classes "The Boys of Christ's Hospital. Royalty and Nobility, Women: The Lady Jane Grey" "Spanish Styles, The Lady Mary" "French Fashions: Eleanor, Archduchess of Austria, Catherine de' Medici, Mary Stuart, Queen Mary, Jane Guyldeford" Section II Hairdressing Headgear "Hairdressing, Women" "Headdresses: The French Hood, Other French Headdresses" Footgear "Jewellery: Collars, Pendants, Rings" Guilds and Trade "Weaving, Colours" Patterns "Vehicles: Coach, Char" CHAPTER IV QUEEN ELIZABETH (1558-1603) SYNOPSIS. Contemporary Sovereigns Historical Data "The Arts: Sulpture, Memorial Brasses, Tapestry, Illum. MSS., Portraits and Painters" Section I "Queen Elizabeth: Introduction, Appearance, Character, Accomplishments, Wardrobe, State Robes, Other Costumes, Furniture. Nobility, Women: The Farthingale, The Corset, The Ruff or Band, The Veil, The Fan" "Margaret Douglas, Mary Stuart" "The Baldachin, Sunshade, Umbrella" Mourning Robes Frances Sidney Masks "Nobility, Men: Henry Stewart, Lord Edward Seymour, James VI" "Personages of Distinction about the Court: William Cecil, Robert Dudley, Sir Christopher Hatton, Edward de Vere, Sir Philip Sidney, Sir John Hawkyns" "The Doublet, The Jerkin, Corsets" "Trunks or Slps, and Hosen" Stockings Cloaks Swords and Daggers The Handkerchief The Glove "Perfumes, Pomanders, and Roses" "French Fashions: Charles IX, Henry, Duc d'Anjou, Francis, Duc d'Alenço "Noble Ladies: Louise, Queen-Consort of Henry III, Marguerite de Valois,Marie de' Medici" Italian Influences Italian Ladies "Spanish Styles: Philip II, Philip III" "Noble Ladies: The Great Infanta, Margaret of Austria" Tenyse' The Yeomen of the Guard Gentlemen Pensioners Section III "Middle Classes: Gentry, Merchants and Burghers" London Apprentices Yeomen Lower Classes: Peasants and the Poor Middle-class Women: Gentlewomen Lower Classes A Tudor Country Wedding Procession Section IV "Hairdressing, Men: French Hairdressing, Italian Hairdressing, Spanish Hairdressing" "Headgear: Hats, Caps, Etiquette connected with Headgear" "Hairdressing, Women: Fancy Hairdressing, French Hairdressing, Italian Hairdressing, Spanish Hairdressing" "Headdresses: The French Hood, Hats, Other Headdresses of Mary Stuart, Cauls and Capes, Head Ornaments, French Headdresses, Widows' Weeds, Italian Headdresses, Spanish Headdresses" Middle Classes Footgear Jewellery: Crowns, Collars, Chains, Carcanets, Necklaces, Pendants, Jewels, Miniatures, Jewels of Queen Elizabeth, Hat and Head Ornaments, Girdles, Bracelets, Earrings, Ruff and Sleeve Ornaments, Aiglettes, Finger Rings, French Jewellery, Jewels of Mary Stuart Clocks Watches Guilds and Trade Weaving and Materials List of Materials Patterns List of Colours "Vehicles: The Litter, Coach, Chair" GENERAL INDEX TO BOOKS I AND II INDEX OF NAMES IN BOOKS I AND II ILLUSTRATIONS IN COLOUR AND HALF-TONE BOOK I I. KING HENRY VII AND QUEEN ELYSABETH II A. "ISABELLA, QUEEN OF CASTILE" II B. "FERDINAND V, KING OF ARAGON" III. "YEOMEN OF THE GUARD, 1501-30 AND 1530-50" IV. QUEEN ELYSABETH OF YORK V. "JOANNA, QUEEN OF CASTILE" VI. "AN ENGLISH NOBLEMAN, 1510" VII. "A LANDSKNECHT; FRANCIS I, KING OF FRANCE" VIII A. "CHARLES, COMTE DE FLANDRES, 1506" VIII B. "CHARLES, V, KING OF THE ROMANS 1526" IX. "KING HENRY VIII AT THE FIELD OF THE CLOTH OF GOLD, 1520" X A. "THE PRINCESS KATHERINE OF ARAGON, 1501" X B. "KING HENRY VIII, 1521" XI. "ELEANOR OF AUSTRIA, QUEEN OF PORTUGAL, c. 1518" XII. "THE PRINCESS MARY TUDOR, 1514" XIII. "KING HENRY VIII, 1542" XIV. "FRANCIS I, KING OF FRANCE" XV. "QUEEN JANE SEYOMOUR, 1536" XVI. "A NOBLE LADY OF THE COURT OF HENRY VIII, 1530-40" XVII. "A NOBLE LADY, 1540-50" XVIII. ARTICLES OF JEWELLERY BOOK II XIX KING EDWARD VI XX. KING EDWARD VI XXI. "HENRY II, KING OF FRANCE, 1558" XXII. "PRINCE PHILIP OF SPAIN, 1554" XXIII. "YEOMEN OF THE GUARD, 1550-75 and 1575-95" XXIV. "THE LADY JANE GREY, 1553" XXV. "QUEEN MARY, 1553" XXVI. "QUEEN MARY, 1554" XXVII. "QUEEN ELIZABETH IN CORONATION ROBES, 1559" XXVIII. "QUEEN ELIZABETH WITH GODDESSES, 1560" XXIX. "QUEEN ELIZABETH, 1560-70" XXX. "QUEEN ELIZBETH, 1570" XXXI. "QUEEN ELIZABETH, 1570-75: FOUR SUBJECTS" XXXII. "QUEEN ELIZABETH, 1578-85: FOUR SUBJECTS" XXXIII. "MARY STUART, QUEEN OF SCOTLAND AND FRANCE, 1560-1" XXXIV. "MARY STUART, QUEEN OF SCOTLAND, 1562" XXXV. "CATHERINE DÉ MEDICI AND HER FAMILY, 1561" XXXVI. "CHARLES IX, KING OF FRANCE, 1561" XXXVII. "QUEEN ELIZABETH, 1587" XXXVIII. "QUEEN ELIZABETH, 1588" XXXIX. "QUEEN ELIZABETH, 1588" XL. "QUEEN ELIZABETH, 1589" XLI. "QUEEN ELIZABETH, 1589-94: FOUR SUBJECTS" XLII. "QUEEN ELIZABETH, 1590" XLIII. "QUEEN ELIZABETH IN PARLIAMENT, 1601" XLIV. "MARY FITTON, AGED 17, 1596" XLV. "QUEEN ELIZABETH AT BLACKFRIARS, 1600" XLVI. "PHILIP II, KING OF SPAIN, c. 1580"
