Works for Organ and Keyboard

$29.95

Publication Date: 1st September 1985

Jan Pieterszoon Sweelinck (1562–1621) was among the most famous organists of seventeenth-century Europe and an influential composer in the Dutch and North German tradition. He composed over 300 choral and instrumental pieces that bridged Renaissance and Baroque styles and helped prepare the way for the music of Buxtehude, Scheidt, and J. S. Bach. Today, the Dutch composer is best remembered for the inventive, sparkling music he wrote for organ and other keyboard instruments.
This remarkable treasury includes nearly all of Sweelinck's brilliant keyboard works, most of which hav... Read More

Format: Paperback
56 in stock

Jan Pieterszoon Sweelinck (1562–1621) was among the most famous organists of seventeenth-century Europe and an influential composer in the Dutch and North German tradition. He composed over 300 choral and instrumental pieces that bridged Renaissance and Baroque styles and helped prepare the way for the music of Buxtehude, Scheidt, and J. S. Bach. Today, the Dutch composer is best remembered for the inventive, sparkling music he wrote for organ and other keyboard instruments.
This remarkable treasury includes nearly all of Sweelinck's brilliant keyboard works, most of which hav... Read More

Description

Jan Pieterszoon Sweelinck (1562–1621) was among the most famous organists of seventeenth-century Europe and an influential composer in the Dutch and North German tradition. He composed over 300 choral and instrumental pieces that bridged Renaissance and Baroque styles and helped prepare the way for the music of Buxtehude, Scheidt, and J. S. Bach. Today, the Dutch composer is best remembered for the inventive, sparkling music he wrote for organ and other keyboard instruments.
This remarkable treasury includes nearly all of Sweelinck's brilliant keyboard works, most of which have survived only in widely scattered seventeenth-century manuscripts. Reproduced from a clearly printed, thoroughly edited, and reliable 1943 critical edition, this volume contains important and innovative compositions heretofore difficult to find in a reasonably priced edition. The selections are divided into four principal sections (pieces playable on either organ or other keyboard; pieces for organ; pieces for keyboard; supplementary section) and include chorale variations notable for their double and triple counterpoint; toccatas and fantasias showing the influence of the Venetian organ school; and sets of variations on secular and dance tunes. Moreover, the supplement contains three incomplete and/or modified works and a fascinating, authentic fantasia by the great English composer John Bull. The fantasia was written in memoriam shortly after Sweelinck's death and was based on a now-lost fugue by the Netherlandish master. It remains the only testament to one of Sweelinck's finest works.
In Sweelinck's day, the 73 classic compositions presented here were among Europe's most popular pieces for organ and keyboard. In our own time, these lovely instrumental works retain every bit of their original intensity and vigor. Reproduced in this authoritative complete-resource edition, they will be welcomed by serious keyboard artists, who will find them as praiseworthy today as they were when first known and played in Europe over 300 years ago.


Reprint of Jan Pieterszoon Sweelinck: Werken voor Orgel en Clavecimbel, G. Alsbach & Co., Amsterdam, 1943 edition.
Details
  • Price: $29.95
  • Pages: 272
  • Publisher: Dover Publications
  • Imprint: Dover Publications
  • Series: Dover Music for Organ
  • Publication Date: 1st September 1985
  • Trim Size: 9 x 12 in
  • ISBN: 9780486249353
  • Format: Paperback
  • BISACs:
    MUSIC / Printed Music / Opera & Classical Scores
    MUSIC / Printed Music / Piano & Keyboard Repertoire
    MUSIC / Genres & Styles / Classical
Table of Contents
WORKS FOR ORGAN OR KEYBOARD
FANTASIAS AND RICERCAR
1. Fantasia Chromatic (Dorian mode)
2. Fantasia (Dorian)
3. Fantasia (G Dorian)
4. Fantasia (G Dorian)
5. Fantasia (A Phrygian)
6. "(Hexachord) Fantasia super: Ut, Re, Mi, Fa, Sol, La (F Ionian)"
7. Fantasia (F Ionian)
8. Fantasia (Mixolydian)
9. Fantasia (Mixolydian)
10. Ricercar (Aeolian)
11. Fantasia (Aeolian)
12. Fantasia ut sol fa mi (Ionian; 1st version)
13. Fantasia (Ionian; 2nd version)
ECHO FANTASIAS
14. Fantasia (Dorian)
15. Fantasia (Ionian)
16. Fantasia (Aeolian)
17. Fantasia (Ionian)
18. Fantasia (Ionian)
19. Fantasia (Ionian)
TOCCATAS
20. Toccata (Dorian)
21. Toccata (Aeolian)
22. Toccata (Aeolian)
23. Toccata (Dorian)
24. Toccata (G Dorian)
25. Toccata (G Dorian)
26. Toccata (G Dorian)
27. Toccata (Mixolydian)
28. Toccata (Mixolydian)
29. Toccata (Aeolian)
30. Toccata (Ionian)
31. Toccata (Ionian)
32. Toccata (Ionian)
WORKS FOR ORGAN
PRELUDE AND CHORALE VARIATIONS
33. "("Praeludium"; F Ionian)"
34. "Ach Gott vom Himmel sieh darein: (3 variations)"
35. "Allein Gott in der Höh sei Her" (4 variations by Swelinck, 5 by Andreas Düben,"
" 2 by Petrus Hasse [I], 6 by Gottfried Scheidt)"
36. "Allein zu dir, Herr Jesu Christ" (1 variation)"
37. "Christe qui lux es et dies" (3 variations)"
38. "Da pacem, Domine, in diebus nostris" (4 variations)"
39. "Dies sind die heilgen zehn Gebot" (2 variations)"
40. "Durch Adams Fall ist ganz verderbt" (2 variations)"
41. "Erbarm dich mein, o Herre Gott" (6 variations)"
42. "Es ist das Heil ulns kommen her" (2 variations)"
43. "Es spricht der Unweisen Mund wohl" (1 variation)"
44. "Herr Christ der einig Gottes Sohn" (2 variations)"
45. "Herzlich lieb hab ich dich, o Herr" (4 variations)"
46. "Ich ruf zu dir, Herr Jesu Christ" (4 variations)"
47. "Nun freut euch, lieben Christen gemein" ("Was kann uns kommen an," " Es ist gewisslich an der Zeit"; 3 variations"
48. "Nun freut euch, lieben Christen gemein" (original chorale melody; 3 variations)"
49. "Nun komm der Heiden Heiland" (3 variations)"
50. "O lux beata trinitas" (2 variations)"
51. "Psalm 116 ("J'ayme mon Dieu, car lors que j' ay crie'"; 4 variations)"
52. "Psalm 140 ("O Dieu, donne moy delivrance"; 4 variations)"
53. "Puer nobis nascitur" (4 variations)"
54. "Vater unser im Himmelreich" (4 variations)"
55. "Wie nach einem Wasserquelle" ("Ainsi qu' on oit le cerf bruire," "Freu dich sehr, o meine Seele"; 1 variation)"
56. "Wir glauben all an einen Gott" (4 variations)"
57. "Wo Gott der Herr nicht bei uns hält" (2 variations)"
WORKS FOR KEYBOARD
VARIATIONS ON SECULAR SONGS
58. "Est-ce Mars" (7 variations)"
59. "Ich fuhr mich vber Rheine" (6 variations)"
60. "Mein junges Leben hat ein End" (6 variations)"
61. "More palatino" (4 variations)"
62. "Soll es sein" (8 variations)"
63. "Unter der Linden grüne" (4 variations)"
64. "Von der Fortuna werd' ich getrieben" (3 variations)"
VARIATIONS ON DANCE TUNES
65. "Balletto del granduca" (5 variations)"
66. "Paduana Lachrimae" colorirt"
67. "Passamezzo" (6 variations)"
68. "Pavana Hispanica" (4 variations by Sweelinck, 4 by Samuel Scheidt)"
69. "Pavana Philippi" (2 variations)"
SUPPLEMENT
70. Capriccio
71. "Fantazia op de Fuga van M: Jan Pieters". Fecit Dr. Bull 1621 15 Decemb." (Fantasia on a Fugue of Sweelinck, by John Bull, 1621)"
72. Toccata (G Dorian; fragment)
73. "Praeludium pedaliter" (another version of No. 33)"

Jan Pieterszoon Sweelinck (1562–1621) was among the most famous organists of seventeenth-century Europe and an influential composer in the Dutch and North German tradition. He composed over 300 choral and instrumental pieces that bridged Renaissance and Baroque styles and helped prepare the way for the music of Buxtehude, Scheidt, and J. S. Bach. Today, the Dutch composer is best remembered for the inventive, sparkling music he wrote for organ and other keyboard instruments.
This remarkable treasury includes nearly all of Sweelinck's brilliant keyboard works, most of which have survived only in widely scattered seventeenth-century manuscripts. Reproduced from a clearly printed, thoroughly edited, and reliable 1943 critical edition, this volume contains important and innovative compositions heretofore difficult to find in a reasonably priced edition. The selections are divided into four principal sections (pieces playable on either organ or other keyboard; pieces for organ; pieces for keyboard; supplementary section) and include chorale variations notable for their double and triple counterpoint; toccatas and fantasias showing the influence of the Venetian organ school; and sets of variations on secular and dance tunes. Moreover, the supplement contains three incomplete and/or modified works and a fascinating, authentic fantasia by the great English composer John Bull. The fantasia was written in memoriam shortly after Sweelinck's death and was based on a now-lost fugue by the Netherlandish master. It remains the only testament to one of Sweelinck's finest works.
In Sweelinck's day, the 73 classic compositions presented here were among Europe's most popular pieces for organ and keyboard. In our own time, these lovely instrumental works retain every bit of their original intensity and vigor. Reproduced in this authoritative complete-resource edition, they will be welcomed by serious keyboard artists, who will find them as praiseworthy today as they were when first known and played in Europe over 300 years ago.


Reprint of Jan Pieterszoon Sweelinck: Werken voor Orgel en Clavecimbel, G. Alsbach & Co., Amsterdam, 1943 edition.
  • Price: $29.95
  • Pages: 272
  • Publisher: Dover Publications
  • Imprint: Dover Publications
  • Series: Dover Music for Organ
  • Publication Date: 1st September 1985
  • Trim Size: 9 x 12 in
  • ISBN: 9780486249353
  • Format: Paperback
  • BISACs:
    MUSIC / Printed Music / Opera & Classical Scores
    MUSIC / Printed Music / Piano & Keyboard Repertoire
    MUSIC / Genres & Styles / Classical
WORKS FOR ORGAN OR KEYBOARD
FANTASIAS AND RICERCAR
1. Fantasia Chromatic (Dorian mode)
2. Fantasia (Dorian)
3. Fantasia (G Dorian)
4. Fantasia (G Dorian)
5. Fantasia (A Phrygian)
6. "(Hexachord) Fantasia super: Ut, Re, Mi, Fa, Sol, La (F Ionian)"
7. Fantasia (F Ionian)
8. Fantasia (Mixolydian)
9. Fantasia (Mixolydian)
10. Ricercar (Aeolian)
11. Fantasia (Aeolian)
12. Fantasia ut sol fa mi (Ionian; 1st version)
13. Fantasia (Ionian; 2nd version)
ECHO FANTASIAS
14. Fantasia (Dorian)
15. Fantasia (Ionian)
16. Fantasia (Aeolian)
17. Fantasia (Ionian)
18. Fantasia (Ionian)
19. Fantasia (Ionian)
TOCCATAS
20. Toccata (Dorian)
21. Toccata (Aeolian)
22. Toccata (Aeolian)
23. Toccata (Dorian)
24. Toccata (G Dorian)
25. Toccata (G Dorian)
26. Toccata (G Dorian)
27. Toccata (Mixolydian)
28. Toccata (Mixolydian)
29. Toccata (Aeolian)
30. Toccata (Ionian)
31. Toccata (Ionian)
32. Toccata (Ionian)
WORKS FOR ORGAN
PRELUDE AND CHORALE VARIATIONS
33. "("Praeludium"; F Ionian)"
34. "Ach Gott vom Himmel sieh darein: (3 variations)"
35. "Allein Gott in der Höh sei Her" (4 variations by Swelinck, 5 by Andreas Düben,"
" 2 by Petrus Hasse [I], 6 by Gottfried Scheidt)"
36. "Allein zu dir, Herr Jesu Christ" (1 variation)"
37. "Christe qui lux es et dies" (3 variations)"
38. "Da pacem, Domine, in diebus nostris" (4 variations)"
39. "Dies sind die heilgen zehn Gebot" (2 variations)"
40. "Durch Adams Fall ist ganz verderbt" (2 variations)"
41. "Erbarm dich mein, o Herre Gott" (6 variations)"
42. "Es ist das Heil ulns kommen her" (2 variations)"
43. "Es spricht der Unweisen Mund wohl" (1 variation)"
44. "Herr Christ der einig Gottes Sohn" (2 variations)"
45. "Herzlich lieb hab ich dich, o Herr" (4 variations)"
46. "Ich ruf zu dir, Herr Jesu Christ" (4 variations)"
47. "Nun freut euch, lieben Christen gemein" ("Was kann uns kommen an," " Es ist gewisslich an der Zeit"; 3 variations"
48. "Nun freut euch, lieben Christen gemein" (original chorale melody; 3 variations)"
49. "Nun komm der Heiden Heiland" (3 variations)"
50. "O lux beata trinitas" (2 variations)"
51. "Psalm 116 ("J'ayme mon Dieu, car lors que j' ay crie'"; 4 variations)"
52. "Psalm 140 ("O Dieu, donne moy delivrance"; 4 variations)"
53. "Puer nobis nascitur" (4 variations)"
54. "Vater unser im Himmelreich" (4 variations)"
55. "Wie nach einem Wasserquelle" ("Ainsi qu' on oit le cerf bruire," "Freu dich sehr, o meine Seele"; 1 variation)"
56. "Wir glauben all an einen Gott" (4 variations)"
57. "Wo Gott der Herr nicht bei uns hält" (2 variations)"
WORKS FOR KEYBOARD
VARIATIONS ON SECULAR SONGS
58. "Est-ce Mars" (7 variations)"
59. "Ich fuhr mich vber Rheine" (6 variations)"
60. "Mein junges Leben hat ein End" (6 variations)"
61. "More palatino" (4 variations)"
62. "Soll es sein" (8 variations)"
63. "Unter der Linden grüne" (4 variations)"
64. "Von der Fortuna werd' ich getrieben" (3 variations)"
VARIATIONS ON DANCE TUNES
65. "Balletto del granduca" (5 variations)"
66. "Paduana Lachrimae" colorirt"
67. "Passamezzo" (6 variations)"
68. "Pavana Hispanica" (4 variations by Sweelinck, 4 by Samuel Scheidt)"
69. "Pavana Philippi" (2 variations)"
SUPPLEMENT
70. Capriccio
71. "Fantazia op de Fuga van M: Jan Pieters". Fecit Dr. Bull 1621 15 Decemb." (Fantasia on a Fugue of Sweelinck, by John Bull, 1621)"
72. Toccata (G Dorian; fragment)
73. "Praeludium pedaliter" (another version of No. 33)"