This volume contains two of Beethoven's most loved and widely performed piano concertos, printed in the traditional format for two pianos: Piano I is the solo part; Piano II, a piano reduction of the orchestral score.
Concerto No. 4 in G Major, Op. 58, composed in 1805–06, is one of the great masterpieces of the form, perfectly designed, profoundly poetic. From its striking opening for the solo instrument — a true innovation for the concerto concept — through the slow movement's literal "conversation" between solo and orchestra, the work broke new ground as it reshaped the for... Read More
This volume contains two of Beethoven's most loved and widely performed piano concertos, printed in the traditional format for two pianos: Piano I is the solo part; Piano II, a piano reduction of the orchestral score.
Concerto No. 4 in G Major, Op. 58, composed in 1805–06, is one of the great masterpieces of the form, perfectly designed, profoundly poetic. From its striking opening for the solo instrument — a true innovation for the concerto concept — through the slow movement's literal "conversation" between solo and orchestra, the work broke new ground as it reshaped the for... Read More
