This masterly treatment of classical acoustics embodies the great physicist's lifetime of research and presents his vast knowledge of the field in an easy-to-follow account. Among the topics explored: physical phenomena, the physiology of hearing, the relation of musical phenomena to physics, and historical aspects of musical sound. Includes 68 figures.
Here's a sample of other books in this Dover category
Fundamentals of Musical Acoustics: Second, Revised Edition by Arthur H. Benade Landmark book hailed for exceptionally clear, delightfully readable explication of everything acoustically important to music-making. Includes over 300 illustrations. Examples, experiments, and questions conclude each chapter.
Horns, Strings, and Harmony by Arthur H. Benade Engaging, accessible introduction to structure and sound-making capacities of piano, violin, trumpet, bugle, oboe, flute, saxophone, many other instruments. Also, how to build your own trumpet, flute, clarinet. Includes 76 illustrations. Bibliography.
An Introduction to Acoustics by Robert H. Randall Undergraduate-level text examines waves in air and in three dimensions, interference patterns and diffraction, and acoustic impedance, as illustrated in the behavior of horns. 1951 edition.
Guide to the Practical Study of Harmony by Peter Ilyitch Tchaikovsky Written during Tchaikovsky's years as professor at the Moscow Conservatory, this clear and thorough introduction to the study of harmony features numerous examples and exercises.
The Dynamical Theory of Sound by Horace Lamb Comprehensive mathematical treatment of physical aspects of sound covers theory of vibrations, general theory of sound, and equations of motion of strings, bars, membranes, pipes, and resonators. 86 figures. 1925 edition.
Modulation by Max Reger Written by a progressive early modernist, this concise guide for performers and composers offers valuable insights and instruction. Suitable for musicians at all levels. Newly typeset and engraved.
Tuning and Temperament: A Historical Survey by J. Murray Barbour This classic chronicle of the longstanding challenges of tuning and temperament devotes a chapter to each principal theory, features a glossary and numerous tables, and requires only minimal background in music theory.
