The first novel in woodcuts to be published in America, Ward's magnificent achievement burns with a rich, highly emotional style. Through startling engravings shaded in black and red, he wordlessly tells the story of a man trapped in an industrial world, struggling between the grim reality around him and the fantasies his imagination creates. Reprint of Harrison Smith and Robert Haas, New York, 1932 edition.
Here's a sample of other books in this Dover category
Gods' Man: A Novel in Woodcuts by Lynd Ward The major American artist invented the concept of a wordless novel with this evocative, text-free "woodcut" narrative. Autobiographical in nature, the novel recounts Ward's struggles with his craft and with life in the 1920s.
Mad Man's Drum: A Novel in Woodcuts by Lynd Ward The powerful imagery and intensity of Ward's wordless works have elicited comparisons to Hawthorne, Melville, and Poe. This 1930 work tells a gripping tale through imagery alone, consisting solely of 128 hauntingly rendered woodcuts.
Vertigo: A Novel in Woodcuts by Lynd Ward, David A. Berona In this moving graphic novel without words told with 230 intricately detailed woodcuts, a young girl who longs to be a violinist, and a boy who hopes to become a builder, find their dreams shattered by the Great Depression.