The first novel in woodcuts to be published in America, Ward's magnificent achievement burns with a rich, highly emotional style. Through startling engravings shaded in black and red, he wordlessly tells the story of a man trapped in an industrial world, struggling between the grim reality around him and the fantasies his imagination creates. Reprint of Harrison Smith and Robert Haas, New York, 1932 edition.
Here's a sample of other books in this Dover category
Gods' Man: A Novel in Woodcuts by Lynd Ward The major American artist invented the concept of a wordless novel with this evocative, text-free "woodcut" narrative. Autobiographical in nature, the novel recounts Ward's struggles with his craft and with life in the 1920s.
Mad Man's Drum: A Novel in Woodcuts by Lynd Ward The powerful imagery and intensity of Ward's wordless novels have elicited comparisons to Hawthorne, Melville, and Poe. This 1930 work tells a gripping tale through imagery alone, consisting solely of 128 hauntingly rendered woodcuts.
The Sun, The Idea & Story Without Words: Three Graphic Novels by Frans Masereel, David A. Berona Three wordless novels by a master, told in 206 Expressionistic woodcuts: The Sun, a struggle with destiny; The Idea, a concept's triumph over suppression; and Story Without Words, a poignant romance.
Frankenstein: The Lynd Ward Illustrated Edition by Mary Shelley, Lynd Ward A master of woodcut technique, Lynd Ward created 64 distinctive engravings for this famous Gothic novel.His unusual perspectives and dramatic light-and-dark contrasts combine elements of Art Deco and German Expressionism.
Vertigo: A Novel in Woodcuts by Lynd Ward, David A. Berona In this moving graphic novel without words told with 230 intricately detailed woodcuts, a young girl who longs to be a violinist, and a boy who hopes to become a builder, find their dreams shattered by the Great Depression.
