Landmark book by leading expert, hailed for its astonishingly clear, delightfully readable explication of everything acoustical important to music-making. "Comprehensive . . . rigorous . . . well-organized . . . will surely be the text of choice." — American Scientist. "Recommended for m... read more
Like Free Samples? Click here to get new ones every week.
Customers who bought this book also bought:
Our Editors also recommend:
Music, Physics and Engineering by Harry F. Olson This extraordinarily comprehensive text, requiring no special background, discusses the nature of sound waves, musical instruments, musical notation, acoustic materials, elements of sound reproduction systems, and electronic music. Includes 376 figures.
Horns, Strings, and Harmony by Arthur H. Benade Engaging, accessible introduction to structure and sound-making capacities of piano, violin, trumpet, bugle, oboe, flute, saxophone, many other instruments. Also, how to build your own trumpet, flute, clarinet. Includes 76 illustrations. Bibliography.
On the Sensations of Tone by Hermann Helmholtz This masterly treatment of classical acoustics embodies the great physicist's lifetime of research and presents his vast knowledge of the field in a clear, easy-to-follow account. Includes 68 figures.
Science and Music by Sir James H. Jeans Distinguished physicist describes the scientific principles of musical sound in a non-technical way: development of human hearing, properties of sound curves, transmission and reproduction of sound curves, more. Includes 75 illustrations.
A History of Musical Style by Richard L. Crocker Exceptionally clear, systematic presentation of the evolution of musical style from Gregorian Chant (AD 700) to mid-20th-century atonal music. Over 140 musical examples. Bibliography.
Modulation by Max Reger Written by a progressive early modernist, this concise guide for performers and composers offers valuable insights and instruction. Suitable for musicians at all levels. Newly typeset and engraved.
An Introduction to Acoustics by Robert H. Randall Undergraduate-level text examines waves in air and in three dimensions, interference patterns and diffraction, and acoustic impedance, as illustrated in the behavior of horns. 1951 edition.
The Interpretation of the Music of the 17th and 18th Centuries by Arnold Dolmetsch A landmark of musicology, this 1915 study quotes treatises of the baroque era to explore performance techniques and music's roles as both an art and a science. Topics include tempo, rhythm, ornamentation, more.
Manual of Practical Instrumentation by Charles-Marie Widor A comprehensive catalog of the abilities and qualities of all orchestral instruments, this text also features practical advice regarding instrumental combinations and relevant works to study.
The Organ of the Twentieth Century by George Ashdown Audsley Highly illustrated classic of musicology fully describes in thorough scope and detail the divisional tonal apportionment that has become fundamental to modern organ-building. Includes 32 plates and 106 figures.
Introduction to the Psychology of Music by Geza Révész Comprehensive introduction by noted musicologist covers physical and physiological bases of sound and hearing, elements of tone, pitch, musical ability, origins of music, psychology of music, much more.
Treatise on Instrumentation by Hector Berlioz, Richard Strauss This influential work appraises the musical qualities and potential of over 60 stringed, wind, and percussion instruments. Includes 150 full-score musical examples from works by Berlioz, Mozart, Beethoven, Wagner, others. Foreword by Richard Strauss.
Structural Functions in Music by Wallace T. Berry A brilliant investigation into musical structure through a systematic exploration of tonality, melody, harmony, texture, and rhythm. Discusses early madrigals and Gregorian chants through Bach, Beethoven, and Brahms to Ravel, Bartók, and Berg.
Orchestration by Cecil Forsyth In what is probably the best general book on the subject, a noted English composer describes 57 orchestral instruments, tracing their origins, development, and status at the beginning of World War I.
Treatise on Harmony by Jean-Philippe Rameau One of most important books in Western music. Detailed explanation of principles of diatonic harmonic theory. New 1971 translation by Philip Gossett of 1722 edition. Many musical examples.
Psychology of Music by Carl E. Seashore Standard study by founder of Seashore test. Relationship between physical phenomena of sounds and our perception of them. Music as a medium, physical acoustics, auditory apparatus, sound perception, more. Includes 88 figures.
Musical Structure and Design by Cedric T. Davie Clear, elementary explanation of basic forms, Renaissance to 1900, with many works analyzed. Nature and function of concerto, sonata, etc., clarified with nonmusical analogies; illustrated in detailed analysis of specific piece of music.
Principles of Orchestration by Nikolay Rimsky-Korsakov Great classical orchestrator provides fundamentals of tonal resonance, progression of parts, voice and orchestra, tutti effects, and much else in major document. Includes 330 pages of musical excerpts.
Structural Hearing: Tonal Coherence in Music by Felix Salzer Extends the Schenker method to modern, medieval, renaissance music. Tonal organization, analyzes over 500 pieces, connects theory and composition.
The Theory of Sound, Volume Two by J. W. S. Rayleigh Volume Two covers aerial vibrations, vibrations in tubes, reflection and refraction of plane waves, general equations, theory of resonators, Laplace's functions and acoustics, spherical sheets of air, vibration of solid bodies, and facts and theories of audition.
The Theory of Sound, Volume One by J. W. S. Rayleigh Volume One covers harmonic vibrations, systems with one degree of freedom, vibrating systems in general, transverse vibrations of strings, longitudinal and torsional vibrations of bars, vibrations of membranes and plates, curved shells and plates, and electrical vibrations.
Product Description:
Landmark book by leading expert, hailed for its astonishingly clear, delightfully readable explication of everything acoustical important to music-making. "Comprehensive . . . rigorous . . . well-organized . . . will surely be the text of choice." — American Scientist. "Recommended for music lovers and audiophiles" — Stereo Review. Over 300 illustrations. Examples, experiments, and questions conclude each chapter.
Arthur H. Benade developed his interest in the acoustics of musical instruments growing up in Lahore (British India, now Pakistan) where his father was an educator. His interest in acoustics continued to grow as he earned a PhD in Physics at Washington University in St. Louis and joined the faculty of Case Institute of Technology, now Case Western Reserve University in Cleveland, Ohio, as a nuclear physicist.
The turning point came when the Physical Science Study Committee commissioned him to write the influential concise text, Horns, Strings and Harmony, which Anchor Books launched as a mass market–sized paperback in 1960 and which Dover reprinted in 1992. Known to have inspired generations of teachers, this clear and thoughtful study has sold more than 150,000 copies in all editions and has been translated into several languages. In the decade following the appearance of Horns, Strings and Harmony, Benade completed his more extensive text, Fundamentals of Musical Acoustics, first published by Oxford University Press in 1976 and reprinted by Dover in 1996.
In addition to his two books, Benade wrote more than 100 technical papers, contributed to many symposia, and lectured on acoustics all over the world. His range was far-reaching. Titles of his scholarly papers include "Mathematical Theory of Woodwind Finger Holes," "Resonance-Absorption Cross Section of a Pipe Organ," and "Spherical-Wave Approximation in Horns: Measured and Calculated."
Arthur Benade died in 1988 at the age of 62, one of the twentieth century's seminal figures in the world of acoustical research.
This book was printed in the United States of America.
Dover books are made to last a lifetime. Our US book-manufacturing partners produce the highest quality books in the world and they create jobs for our fellow citizens. Manufacturing in the United States also ensures that our books are printed in an environmentally friendly fashion, on paper sourced from responsibly managed forests.