In this affordable paperback reprint of an influential work of music theory, Rimsky-Korsakov, the great classical orchestrator, provides fundamentals of tonal resonance, progression of parts, voice and orchestra, tutti effects, and much more. This major document includes 330 pages of musical e... read more
Customers who bought this book also bought:
Our Editors also recommend:
The Orchestra: Orchestral Techniques and Combinations by Ebenezer Prout Thorough treatise on elements, character, and function of orchestral sound defines how each section of the orchestra functions both alone and in concert with others. Includes generous examples from standard concert literature.
Modulation by Max Reger Written by a progressive early modernist, this concise guide for performers and composers offers valuable insights and instruction. Suitable for musicians at all levels. Newly typeset and engraved.
Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century by Knud Jeppesen First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.
A History of Musical Style by Richard L. Crocker Exceptionally clear, systematic presentation of the evolution of musical style from Gregorian Chant (AD 700) to mid-20th-century atonal music. Over 140 musical examples. Bibliography.
The History of Musical Instruments by Curt Sachs Written by a distinguished musicologist, this comprehensive history of musical instruments traces their evolution from prehistoric times in a fusion of music, anthropology, and fine arts. Includes 24 plates and 167 illustrations.
Guide to the Practical Study of Harmony by Peter Ilyitch Tchaikovsky Written during Tchaikovsky's years as professor at the Moscow Conservatory, this clear and thorough introduction to the study of harmony features numerous examples and exercises.
Manual of Practical Instrumentation by Charles-Marie Widor A comprehensive catalog of the abilities and qualities of all orchestral instruments, this text also features practical advice regarding instrumental combinations and relevant works to study.
On the Performance of Beethoven's Symphonies and Other Essays by Felix Weingartner Three important works by conductor Felix Weingartner (1863–1942) include a detailed account of performing difficulties and interpretation questions involved in each of Beethoven's symphonies, plus the essays "On Conducting" and "The Symphony Since Beethoven."
A Ravel Reader: Correspondence, Articles, Interviews by Arbie Orenstein This outstanding compilation of articles by Ravel (who was a brilliant critic) features reviews, interviews, and some 350 letters from Cocteau, Colette, de Falla, Richard Strauss, Stravinsky, and other major figures of the time.
Musical Wind Instruments by Adam Carse Describes instruments used in European orchestras, military, and other wind bands during the past 400 years, including flutes, oboes, clarinets, bassoons, trumpets, cornets, more. Includes 30 photos, 41 drawings and diagrams, and 11 charts.
The Clarinet and Clarinet Playing by David Pino Features suggestions about technique, musicianship, and musical interpretation, as well as guidelines for teaching, making your own reeds, and preparing for public performance. Discusses the history of the clarinet. Appendixes. Includes 7 black-and-white illustrations.
Stravinsky: A Critical Survey, 1882-1946 by Eric Walter White Fascinating critical and biographical portrait of famed 20th-century composer includes commentary on the evolution of such masterworks as The Firebird, Petrouchka, Le Sacre du Printemps, Pulcinella, and Histoire du Soldat.
Treatise on Instrumentation by Hector Berlioz, Richard Strauss This influential work appraises the musical qualities and potential of over 60 stringed, wind, and percussion instruments. Includes 150 full-score musical examples from works by Berlioz, Mozart, Beethoven, Wagner, others. Foreword by Richard Strauss.
Fundamentals of Musical Acoustics: Second, Revised Edition by Arthur H. Benade Landmark book hailed for exceptionally clear, delightfully readable explication of everything acoustically important to music-making. Includes over 300 illustrations. Examples, experiments, and questions conclude each chapter.
Wagner on Conducting by Richard Wagner Wagner initiated Romantic image of the conductor as fiery, omniscient dictator of the podium. Here are his eloquent essays on role of the conductor, musical interpretation, many other topics.
Structural Functions in Music by Wallace T. Berry A brilliant investigation into musical structure through a systematic exploration of tonality, melody, harmony, texture, and rhythm. Discusses early madrigals and Gregorian chants through Bach, Beethoven, and Brahms to Ravel, Bartók, and Berg.
Orchestration by Cecil Forsyth In what is probably the best general book on the subject, a noted English composer describes 57 orchestral instruments, tracing their origins, development, and status at the beginning of World War I.
Treatise on Harmony by Jean-Philippe Rameau One of most important books in Western music. Detailed explanation of principles of diatonic harmonic theory. New 1971 translation by Philip Gossett of 1722 edition. Many musical examples.
Woodwind Instruments and Their History by Anthony Baines, Sir Adrian Boult Superior study by expert combines discussion of design and construction with detailed history of the evolution of instruments from earliest times to present. 75 illustrations, 25 musical examples, 16 fingering charts.
Five Graphic Music Analyses by Heinrich Schenker Five analytical sketches by a great theorist offer highly developed examples of an influential method of musical structural analysis: a J. S. Bach chorale and prelude, a section of a Haydn sonata, and two Chopin ètudes.
Product Description:
In this affordable paperback reprint of an influential work of music theory, Rimsky-Korsakov, the great classical orchestrator, provides fundamentals of tonal resonance, progression of parts, voice and orchestra, tutti effects, and much more. This major document includes 330 pages of musical excerpts and extracts from Rimsky-Korsakov's 1891 draft and final versions of his Preface.
This book was printed in the United States of America.
Dover books are made to last a lifetime. Our US book-manufacturing partners produce the highest quality books in the world and they create jobs for our fellow citizens. Manufacturing in the United States also ensures that our books are printed in an environmentally friendly fashion, on paper sourced from responsibly managed forests.
